Cyanotypes on fabric
This series marks a quiet transition-created during a period of recovery, when energy slowly returned, allowing for short moments of presence. The work serves as a poetic wonder about the world outside, capturing the longing to reconnect with nature after prolonged isolation.
Printed as cyanotypes on delicate cotton voile, the pieces are botanically toned using fenugreek seeds to
achieve a muted green hue, and softly hand-coloured with dry pastels.
The collection features a mix of framed, multi-panel photographic constructions and delicate, floating fabric pieces. By allowing light to pass through the transparent layers, the images are transformed into fluid, shifting landscapes that blur the boundary between inner stillness and the world out there.
Slowly falling
Multi-panel photographic construction.
A large-scale work where a single landscape is divided into twelve individual panels. The cyanotype prints are botanically toned using fenugreek seeds to achieve a muted green hue, and softly hand-coloured with dry pastels.
Each segment is meticulously hand-mounted onto 3.5 mm cotton matboard, creating a physical grid structure that interrupts and rebuilds the image. Framed as a single piece behind museum-quality UV-protective glass, the work explores the fragmentation of memory and the structured layers of the world out there.
Smaller cyanotypes
